The Ginnel is the first part of the two-part spiral-bound publication Peripheral and Interstitial Landscapes, featuring pictures drawn from a broader study focusing on the narrow, enclosed environment of a ginnel in the village of Burley-in-Wharfedale, West Yorkshire.

Within this series, the fence functions as a central motif through which the tension between private and public space is explored—simultaneously marking boundaries, signalling exclusion, and offering fleeting glimpses beyond. The spatial characteristics of the ginnel also encourage an iterative process, highlighting how persistent engagement can cultivate a heightened sensitivity to detail. Vertical orientation is used throughout to communicate the claustrophobic quality of the ginnel and a sense of the constructed fragility of residential boundaries, drawing attention to the role of such barriers in negotiating spatial and interpersonal relationships.

The second part of the book, Engine Fields, includes pictures made at a nature reserve and along a disused railway line in Yeadon, West Yorkshire.

A physical copy of the book is held in Leeds Arts University library's Special Collection.